
We thought, given the subject matter, that it would be reasonable to break into our normal coverage for our first-ever Sundance review on this site: "The September Issue," or, as we suggested to our Sundance roommate when we left the screening room, "The Devil Bares Nada." (Ba-dum-dum!) It is the story of the making of Vogue's titular September 2007 issue (the biggest-ever issue of a single-month consumer magazine, etc etc) and how Anna Wintour actually is mean in real life like she was in the Anne Hathaway movie.
Meaner: She does, in fact, actually tell one person (the innocent cameraman, drafted into service during a shoot) he's too fat and that he should go to the gym. Also, Sienna Miller's hair is "lackluster" and her toothy smile not up to Vogue standards. ("And I think these are fillings?") AW basically comes across as a repressed control freak whose overachieving family (including lawyer-to-be daughter Bee) thinks she's useless. The entire process would be heartbreaking if it weren't so often ridiculous, like when ALT shows up to play tennis with Louis Vuitton luggage in tow, or when stylist\model\editor Grace Coddington (easily the film's most likable presence) makes her salad the object of her displaced rage after some of her images are cut, murdering leafy greens with a heretofore-unseen lettuce-murdering vigor.

It's a great documentary, in sense that you're constantly like, How did they get that access? We have no idea why Wintour would be up for this, and the timing seems particularly bad, given the rumors that she'll soon be pushed out for Carine or sent to France on an ambassadorship. It's a little TMI, like when Wintour shows some total Roger Federer mentionitis. ("Did you see Roger won?") The access is amazing: Karl Lagerfeld, Mario Testino, Oscar de la Renta, Stefano Pilati, Vera Wang, Jean Paul Gaultier, and Thakoon all make appearances.
We didn't leave the screening understanding why AW went through all the hassle of being an editor, beyond her story about her father telling her to declare her interest in being the editor of Vogue when faced with filling out a questionnaire about her future. But for anyone who loves looking at pretty things, and is curious about the way the magazine comes together—and NB we work at a magazine, and we're still curious about it—we really wouldn't miss it.




The contest continues! We actually had an editor fire us once—from, by the way, an unpaid job—for opening a story with the verb "continues." That was awesome.








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